Tuesday, 28 April 2009

Audience Feedback

Considering that only about 5 people took part in every of my polls posted on the blog, the audience's feedback is a bit limited. Firstly, about 80% of the polled people think that the title of my magazine connotes "A music magazine for "serious" music lovers", which is actually the aim I have wanted to achieve with my magazine. What is more the rest 20% is spread all over three next answers, as the magazine might have appeared differently to everyone. The second poll asked which music genres my magazine connotes. The majority answered that it was indie and rock music; however there were two individual answers for soul and pop. Rock and Indie were my priority music genres; however I’ve wanted my magazine to seem more diverse. I believe if only more people had answered the polls, I would have got some more voices for pop and soul. The third poll was about the layout and what it communicates. Here the voices spread mainly between the first and second answer, which were “A fast moving, latest news magazine” and “A magazine that is designed for female audience”. I believe that my magazine might have appeared like it is addressed to woman, because of the bright, purple colour, which I have actually used as a motif, placing it all over the magazine. There was only one voice for “The professional music magazine for ‘serious’ music lovers” and that was my main idea for the magazine, as I tried to follow the conventions of ‘Q’. The next question asked whether the price of my magazine is appropriate to its appeal, and everyone answered yes. The last question asked – “would you buy ma magazine”, the majority answered yes. 

Thursday, 2 April 2009

Evaluation of my music mag

• In what ways does your Media product use, develop or challenge forms and conventions of real media products?
My music magazine includes all the needed forms of real media products; e.g. a masthead, headlines, sub headlines etc. My front page features a masthead, main headline, a sub headline, issue number, a bar code with a price, an additional plug which says the bands which feature the issue and a link to the magazine’s website. The masthead challenges the convention which states that it should be in the biggest font size out of all the text, as my is smaller than the main headline. However some magazines, for examples NME, do that in order to draw people’s attention to the particular band or artist. My masthead also follow the convention of ‘Mojo’ and ‘Kerrang’, in which mastheads are spread through the whole width of the cover. The limited colour scheme which I used in my front cover, as well as in the whole magazine, follows the convention of “Q”. My contents page consists of conventional features, such as the masthead ( in a changed form to make it look more interesting), three edited, original photographs, page numbers with the articles which occur on them. I have divided my contents into special features and regulars, as it is w conventional way. My special features headlines contain also small descriptions underneath them. The double page spread is constructed also in a conventional way, as the photograph takes ¾ of the whole space, and it’s the focal point of this page. It features a headline, a sub headline and a strap line, which are conventional.


• How does your Media product represent particular social groups?
The social group presented within my magazine, contains of young males and females, which are related to the music industry; it includes solo artists a much as various bands. They all have been represented through the use of original photographs, which have been taken by myself and then edited. All the featured people appear as being happy and relaxed, as I believe it would appeal to the target audience. Also the way they are dressed connotes that they may be related to this particular social group and music genre. The way the photographs are constructed is very energetic; it adds the feeling that the people featuring them, have got busy and interesting lives.

• What kind of Media institution might distribute your media product and why?
I believe that the most suitable publisher which might distribute my magazine would be similar to ‘Bauer Media’ – the publisher of ‘Q’ magazine. I think my magazine has got this professional appearance, which accompanies several publications from ‘Bauer Media’. Also the style of writing used in my magazine and the music genres within it would appeal to the well established audience of Bauer Media. Furthermore I like the fact that ‘Q’ has got several media platforms: radio, television etc. I think it is something which I could possibly consider in the future development of my magazine.

• Who would be the audience for your Media product?
The audience for my product would be people from 16 to 30+. I believe I might reach the adult audience from the high economical model, as much as well as student, young adults and teenagers. My magazine would be addressed to peoples who have got already established tastes within the indie and indie rock music, however they are open minded to unconventional ideas; as I think indie music may adopts various genres. However my magazine would mainly follow the mainstream trends within my chosen genres.


• How did you attract/address your audience?
I did attract my audience in several ways, e.g. the professional and at the same time clear look of my magazine might attract people from the higher economical model. Furthermore, the magazine has got also a bit of indie look, which is actually addressed to my target audience. Another thing which could attract and at the same time address my audience is the main article. It addresses the people who are interested in rock music, as the artist featuring this article used to be in a rock band; it also addresses the people who are interested in pop and soul music, as this artist has released her new album within those genres. Another thing which could attract my audience is the use of bold colour on my front cover. Also the moderate price of my magazine might attract students.


• What have you learnt about technologies from the process of constructing this product?
From the process of constructing my music magazine, I’ve learnt a lot about the technologies, which I was using. For example, I am now much more skilled in using Publisher and Photoshop; I know also how to combine those two programs, in order to get the best results ( how to use the advantages of one to overcome the disadvantages of the other) Furthermore, I have become very much aware, how important is the quality of the pictures used within the new music magazines. I have also learnt how to put the magazine’s conventions into the real product.


• Looking back at the preliminary task, what do you feel you have learnt in the progression from it to the full product?
While progressing within my studies, I believe that I have become much more aware of the conventions used in different sorts of magazines, especially the new music magazines. I have learnt how to put those into the real product. Furthermore, I have become aware of how essential is the representation within the new music magazine; how it can attract and address the audience; influence the whole ideology and appeal of the magazine. I have also learnt, how the music magazine industry works in itself.

Final Designs






Tuesday, 24 March 2009

The main article

Back from the death and hungry for success

Anna Steina reveals all the truth about her unexpected split with The Wombats and tells us the story of how she managed to disappear for a whole year from all existing medias, and then come back with an absolutely great and new solo album.

Nothing appeared like there was something bad going on within The Wombats. Always smiled and witty, at day Anna was playing bass guitar and singing backing vocals in the band; at night she was occasionally performing her rock ballads in some independent night clubs in Liverpool. From time to time the lads came to see her performances and afterwards they were all partying together. The Wombats began their phenomenal career in 2002; however Anna, Matthew, Daniel and Tord met in 2000 at the Liverpool Institute for Arts. Over these five years they released two top-selling albums and toured around the UK, Europe and even Japan. It is not like our editorial staff is still in mourning after Anna has left the boys; however we cannot stop asking ourselves WHY? It’s Monday, the day after the premier of Anna’s new album, Anna and I are in a cosy coffee shop in London’s Soho. “There is not much to explain why? I just felt trapped, after five years of ongoing touring and recording I needed a break.” And as she said, she did. Nevertheless, braking up with them for ever, wasn’t it a bit too much? “I’ve never said it was for ever, I am too much attached to guys to just leave them. I know I won’t come back to the band, as a full time member, however we’ve still got few gigs on mind. For now I don’t want to do anything with rock by myself, I am completely focused on my soul and jazz experiments” It seems like these experiments worked out. While we were talking in the coffee shop, about ten people came up and asked for Anna’s autographs; three from them already had bought her CD. However lets come back to this whole ‘being trapped’ issue. On 30 December 2007, she set out to spend her New Year’s Eve in New York. It was already after she spoke with the guys and then they all agreed that they would reveal her decision in two weeks; after she comes back from New York. At that time, she didn’t know by herself that she would stay there for a little bit longer. “In New York I was spending my time with a good friend of mine, Mark Ferguson. We have known each other since we were kids. He never thought I would become a rock star, and I never thought that he would ever be a serious professor with a degree from Oxford; it was supposed be the other way around. Anyway, when I was trying to extract as much good as I could from my trip, one day Mark took me to a gospel workshop in The New York’s City Hall. I think it was the most amazing experience in my life. At first I was a bit shy, however Mark was well known there and after few minutes of my struggle, one of the teachers, took me aside and told me to show her what I’ve got!! I was petrified, my voice was nothing comparing to the rest of those great kids, who were there. “ As it turned out later, the woman who has challenged Anna; was Jean Terrell – the former singer of The Supremes, who now is teaching stars such as Joss Stone or Beyonce. She said that Anna’s got really good voice and that she should come for the next workshop. Anna by herself didn’t know that she’s got such a strong voice, so she attended the next workshop and the next three ones. It was nearly the time, when she was supposed be coming back to Liverpool and face the reality. However the day before her flight Mark asked her, if she would like to accompany him in the next workshops, which were going to take place all over the States. He said that he just simply forgot to tell her that he was doing a research on them, and that he would travel with the teachers and attend every session. “I honestly thought I would kill him for such teasing me!!” She quickly made up a decision and called the guys back in Liverpool. Apparently they weren’t very happy that they had to tell the public about her break-up by themselves; especially after she had asked them not to tell the media in Britain, where she was at that moment “They have done a really good job by not saying a word about my position. Even my friends did not say anything” Ok, that was only the three months, but what about the rest of your time spent in the States. “The rest is about my record deal, but it is a longer story than this one. I will only say what I have told Robert Marwick from the Blue Note Records, when he asked, if I would like to record a new album: I’ve grown up from being a rock’n’roll queen...which doesn’t mean I’d stopped being crazy.” Of course the answer was YES!!!

Drafts of the double page spread


Drafts of the contents page


Saturday, 7 March 2009